Yuli Turovsky. Bach Cello suites. Chandos Records. 9034/5 Released 1992. Re Released 2013.
Recorded in Layer Marney Church Essex 19-22 August 1991.
No details given of instrument played. No comments by the artist contained within the booklet accompanying CDs.
Introduction.
This is a version of the Suites by a lesser known Russian cellist. He emigrated to Canada and subsequently had a successful career. Firstly as soloist and member of the Borodin Trio. Secondly, as a successful musical director and conductor.
I picked up a copy rather randomly for the modest price of £2. I was researching the different releases available and noted a second hand copy at bargain price!
Whilst researching Turovsky, I did come across a link to his first Suite Prelude on this recording. This was within a desert island interview with The former Archbishop of Canterbury, Rowan Williams. In his introduction to this movement, the Archbishop describes the contemplative quality of this particular music. He declares that it helps him find “that deeply meditative moment”. There is no specific reason given for choosing Turovsky’s version. That may indeed be an editorial decision.
Here is a link: https://www.bbc.co.uk/sounds/play/p00947fc. (25min 5 secs into programme)
Comments
Turovsky’s style of playing is somewhere between that of Starker and Maisky. It has a somewhat rustic edge to it. The tone is large and imposing, the acoustic being well balanced in my view. There is just the right echo to give a generous sound stage and ambience. In general, Turovsky seems to play with more legato phrasing and less articulation. Clearly harking back to the performance style of the 60’s and 70’s. It is without excessive romanticism.
At times there are reminders of Fournier, but without the refinement. The highlight is indeed the first Suite Prelude as picked by the Archbishop. The mood created is relaxed and reflective like a beautiful watercolour painting. Unfortunately, this is not sustained. In the more rapid movements such as Courantes and Gigues the pace tends to be very rapid. A combination of speed and grouping of notes in single bow leads to smearing and loss of definition of the musical line. At times it can all sound a bit ‘untidy’.
Especially in the latter Suites, I feel there are inaccuracies creeping in. These detract from the impact of assertive and rhythmic playing.
I note that the Suites were recorded over a three-day period so clearly the opportunity for re-takes was limited. In effect, this does sound like a live recording.
My research also reveals that Turovsky sadly suffered from Parkinson’s disease dying in 2013 from related complications. It is possible that the perceived deficiencies may have been due to the early impact of the illness. It can develop over a long period of time with insidious onset.
I note that his solo recording career did seem to end around the time of this recording.
Conclusion.
So in summary, a rather guarded review, but do not be put off completely and check out the first Prelude yourself. If you like it and are as moved as the Archbishop, listen further on the streaming services. Then see if you can find a copy second hand.
Charles.